Frederick Reece
Assistant Professor, Music History · College of Arts & Sciences · University of Washington
Quick answer: Frederick Reece is Assistant Professor, Music History at University of Washington. Frederick Reece shows an active PhD hiring signal as of 2026-09-11.
⭐ Applicants interested in graduate study in Music History at the University of Washington are warmly encouraged to make contact to discuss research projects intersecting with any of Reece’s areas of expertise.
Research interests
Frederick Reece studies music and sonic culture from 1789 to the present. Thematically, his research centers on issues of authorship and identity, and on music's conceptual intersections with the occult and supernatural.
Selected publications (since 2023)
Frederick Reece,<em>Forgery in Musical Composition: Aesthetics, History, and the Canon</em>(Oxford University Press, 2025).
Frederick Reece,“Review of Emily H. Green, Dedicating Music, 1785–1850,”<em>Journal of the American Musicological Society</em>74/1 (2021): 166–70.
Frederick Reece,“Baroque Forgeries and the Public Imagination,”in <em>The Oxford Handbook of Public Music Theory</em>, ed. J. Daniel Jenkins (New York: Oxford University Press, 2021).
Frederick Reece,“Composing Authority in Six Forged ‘Haydn’ Sonatas,” J<em>ournal of Musicology</em>35/1 (2018): 104–43.
Frederick Reece,“Hugo Wolf’s Harmony as Weitzmannian Critique: The Augmented Triad and its Hexatonic Shadows,” <em>Mosaic: Journal of Music Research</em> 3 (2014).
Frequently asked questions
Is Frederick Reece hiring PhD students at University of Washington?
Yes. As of 2026-09-11, Frederick Reece's faculty page shows a PhD hiring signal: Applicants interested in graduate study in Music History at the University of Washington are warmly encouraged to make contact to discuss research projects intersecting with any of Reece’s areas of ex.
What does Frederick Reece research?
Frederick Reece studies music and sonic culture from 1789 to the present. Thematically, his research centers on issues of authorship and identity, and on music's conceptual intersections with the occult and supernatural.
Data last updated: 2026-09-11 · Source: phd-match.com faculty database.
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