Benedict Schofield

My research interests span the 18th, 19th, 20th and 21st Centuries and are situated at the intersection of German Studies and Comparative Cultural Studies, with a particular focus on: - <strong>Transnational Studies</strong>, especially German-language culture, identity, and history intransnational contexts, and theories of comparative and world literature - <strong>German-American relations</strong> from the 18th C to the present, especially historical/political andcultural relations and the European/‘great American’ novel - <strong>Theatre and Performance Studies</strong>, especially the history, translation, and performance practices of Anglo-German theatre, from Shakespeare to the present - <strong>Political authorship and the relation of art and activism</strong>,<strong> </strong>especially with reference todemocracy and the European Union/Brexit - <strong>Cultural representations of nationhood</strong>, especially 19th C German-language culture and history; 19th C Anglo-German and Franco-German relations; Austria and the Habsburg Empire; and theories of Realism, Popular Culture, and the Bestseller With my two co-edited volumes<em>Transnational German Studies</em><em></em>(with Rebecca Braun, 2020) and<em>German in the World</em>(with James Hodkinson, 2020), my work has sought to contribute to the development of the field of Transnational German Studies and the Transnational Modern Languages. This seeks new ways forward for the discipline through novel interdisciplinary research directly exploring the mobility of knowledge. In this work, I argue for an understanding of the transnational as an interdisciplinary and transperiod methodology, which demands that we look again at how nations, such as Germany, conceptualised of themselves before the creation of the nation-state, across a range of historical contexts, but also beyond the nation-state, in the contemporary era. With this work, I hope to help broaden understanding of what German Studies and Comparative Cultural Studies can be thematically and methodologically, taking that work to new audiences, beyond within and beyond the academy. I am Series Co-Editor for the book series<em>Transnational Modern</em><em> </em><em>Languages</em>(Liverpool University Press); <em>Transnational Approaches to Culture</em> (Dr Gruyter); and<em>Studies in Modern German &amp; Austrian Literature</em><em> </em>(Peter Lang), and German Co-Editor forthe journal <em>Modern Languages Open</em>. From 2010-16 I served on the Executive Committee of the Association for German Studies. I have worked extensively with external partners including Shakespeare’s Globe, the Southbank Centre, the National Theatre, and the British Council. I have also collaborated extensively on the European level, with the civil-society initiative<em>A Soul for Europe</em>, the <em>European House for Culture</em>, and the European Commission and European Parliament. <strong>I</strong><strong> </strong><strong>warmly </strong><strong>welcome</strong><strong> </strong><strong>all enquiries from PhD students</strong>, and have supervised projects across a wide range of fields from the 19th Century to the present, including: Literary Studies (German and Austrian literature, Comparative Literature, literature and historiography, fairy tales, life writing research, Realism and the novel, Exile Literature, Classical Reception Studies, Memory Studies); Theatre and Performance Studies (Shakespeare and fascism, contemporary German and Swiss theatre, theatre and memory, theatre and mourning, opera and operetta), and Film Studies (contemporary German cinema). In 2018 I was awarded a University Award for Supervisory Excellence and the Faculty of Arts and Humanities Supervisory Excellence Award.

[2026] ‘Beyond Representation? Mapping a Neurodivergent(ized) Aesthetic in Graphic Novel Accounts of Musical “Genius”' - Chapter in a book - In preparation [2026] 'Fiction from the Margins: Unterm Birnbaum, Quitt, Ellernklipp.' - Chapter in a book - In preparation [2025] Expanding Textual Topographies? - Article - Published [2025] Visualizing Genius, Representing Neurodiversity? Graphic Novel Portrayals of Beethoven’s Life and Music - Periodical article - Published [2024] Review of: German Literature as a Transnational Field of Production, 1848-1919, ed. by Lynne Tatlock and Kurt Beals (Rochester NY: Camden House: 2023) - Book/film/article review - Published